Stylistic analysis of Igbo folksong: A case study of Mike Ejeagha songs

Abstract

The language and style employed by an oral artist is as important as the theme of his work. This is because he meticulously adopts the appropriate language register to suit his performance, so as to give the desired meaning. Through systemic functional grammar
approach, this study reveals some of the stylistic value of Igbo folksongs which are represented in Mike Ejeagha songs. Nine of Mike Ejeagha songs which are popular among the Igbo were randomly selected for this study. The data used in this study, which
emanated from the recorded C.D’s of Mike Ejeagha, were transcribed and translated for analytical purposes. The analysis is divided into two major levels. The first analysis deals with the rhythm of Mike Ejeagha songs while the other part deals with the figurative
devices and how they were utilized by Ejeagha to achieve stylistic effect. It was observed in this study that Mike Ejeagha uses language not only for stylistic effect but to also to give his art aesthetic qualities. Recommendations were made as to how folksongs can be further appreciated.